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In Synthetic Cubism, there was a significant shift from the analytical approach of earlier Cubism to a more synthetic method of artmaking.
The earlier phase of Cubism, known as Analytical Cubism, focused on breaking down objects into their constituent parts and analyzing them from multiple viewpoints. Artists such as Pablo Picasso and Georges Braque used fragmented forms and geometric shapes to deconstruct objects and explore their underlying structure. Analytical Cubism emphasized the intellectual and analytical aspects of artmaking, with compositions often appearing fragmented and abstracted.
In Synthetic Cubism, which emerged around 1912, there was a shift towards a more synthetic or synthetic approach to artmaking. Instead of analyzing objects, artists began to synthesize them, incorporating elements of everyday life and found objects into their compositions. Collage became a prominent technique, allowing artists to introduce new textures, patterns, and materials into their artworks. Synthetic Cubism was characterized by its use of flat, decorative surfaces, vibrant colors, and playful compositions.
Synthetic Cubist artworks often incorporated elements of popular culture, such as newspaper clippings, advertisements, and sheet music. These elements were integrated into the compositions alongside painted forms, blurring the boundaries between high and low culture. By incorporating real-world elements, Synthetic Cubist artists sought to create artworks that reflected the dynamic and fragmented nature of modern life.
The term “synthetic” in Synthetic Cubism refers to the synthesis or combining of different elements within the artwork. Instead of analyzing objects into their constituent parts, artists began to synthesize them by combining various materials, textures, and techniques. This emphasis on synthesis allowed for greater freedom and experimentation in artistic expression, leading to compositions that were visually dynamic and conceptually rich.
Synthetic Cubist artworks often had a more decorative aesthetic compared to the earlier phase of Cubism. Artists embraced pattern, texture, and color, creating compositions that were visually striking and ornamental. Synthetic Cubism was characterized by its use of flat, decorative surfaces and vibrant color palettes, which added to the overall sense of dynamism and energy within the artworks.
Overall, the shift from analysis to synthesis in Synthetic Cubism marked a significant evolution in the Cubist movement. Artists moved away from the analytical approach of earlier Cubism towards a more synthetic and experimental method of artmaking, incorporating elements of everyday life and found objects into their compositions. Synthetic Cubism emphasized the synthesis of different materials, textures, and techniques, leading to artworks that were visually dynamic, conceptually rich, and ahead of their time.