Baroque

Roman Baroque Sculpture

Jennifer Montagu

Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to enable the reader to appreciate, understand and evaluate the sculptural monuments of the Roman Baroque.

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Baroque: Architecture, Sculpture, Painting

Rolf Toman

Almost 200 years of Baroque art are presented in striking images and thought-provoking text-capturing the theatrical pathos, illusionistic devices, and interplay of different styles that made 17th-century and 18th-century European culture extravagant, showy, and even pretentious. An in-depth study of moving works of art from various European countries exposes the sensual beauty of these objects as well as their allegorical representation of religious beliefs.

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Baroque and Rococo

Germain Bazin

Baroque and Rococo art and architecture have become popular once more, after a century and a half of neglect, misunderstanding and scorn. This radical shift in taste has led to a rapid growth of detailed knowledge about the artists who created these exhilarating styles.

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Baroque and Rococo Art and Culture

Vernon Hyde Minor

The first survey of the Baroque and Rococo periods to incorporate modern scholarship in an entertaining and accessible way. Organized thematically, rather than strictly by dates and countries, it looks at art through the context of the church, monarchy, and the establishment of the academies, and considers women artists and gender issues.

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Baroque and Rococo Art and Architecture

Robert Neuman

Baroque and Rococo Art and Architecture is the first in-depth history of one of the great periods of Western art, spanning the years 1585 to 1785. The text treats the major media–painting, sculpture, drawings, prints, and architecture–as well as gardens, furniture, tapestries, costume, jewelry, and ceramics, all in terms of their original function and patronage and with emphasis on the social, political and cultural context.

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Rembrandt 1606-1669

Michael Bockemühl

The mystery of the revealed form: A mirror of the artistic and intellectual developments of the 17th century Rembrandt Harmensz van Rijn (1606-1669) was one of the most complex and multi-faceted artists of the 17th century. From his initial period in Leiden to his early and late phases in Amsterdam, the stages of Rembrandt’s career mirror the artistic and intellectual developments of the century.

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Caravaggio: The Complete Works

Sebastian Schutze

Caravaggio, or more accurately Michelangelo Merisi da Caravaggio (1571–1610), was always a name to be reckoned with. Notorious bad boy of Italian painting, the artist was at once celebrated and controversial: violent in temper, precise in technique, a creative master, and a man on the run. Today, he is considered one of the greatest influences in all art history.

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Baroque 1600-1780

Kristina Menzel

The baroque period spanned the whole of Europe from 1600 to 1780. Beginning with Italian artists who brought drama to painting through dynamic compositions and pronounced contrasts between light and dark, the baroque was later exported by countless artists to their own countries, where the new style developed in different ways.

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The Master Painters of the Dutch Golden Age

Susie Hodge

Named retrospectively, the Golden Age was a period when the new Dutch Republic had become the most prosperous nation in Europe, leading in trade, science and art. From 1600 for almost a century, more than four million paintings were produced there, and the accomplishments in realism and naturalism by a large number of Dutch artists were unprecedented. These artists painted life as had never been seen before; their technical skills were often outstanding, and their art was distinctive in its depiction of lifelike objects, places and people of all ages and backgrounds. Unlike traditional Flemish and Italian Baroque paintings, Dutch artists in general avoided idealisation or portrayals of splendour, and instead developed their own unique and innovative styles, themes and subjects.

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The Upside-Down World

Benjamin Moser

Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age.

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